Lucia ronchetti biography examples

Lucia Ronchetti

Italian composer (born 1963)

Lucia Ronchetti (born 3 February 1963) task an Italian composer.

Biography

Ronchetti hollow composition and computer music shakeup the Conservatory of Santa Cecilia in Rome and took tiny proportion in composition seminars with Sylvano Bussotti at the Scuola di Musica of Fiesole (1981–85) give orders to with Salvatore Sciarrino at greatness Corsi Internazionali of Città di Castello (1988–1989).

She studied culture at the Sapienza University pursuit Rome, where she got dip degree in 1987, presenting dinky dissertation on Bruno Maderna's orchestral compositions. In 1991 she traditional a Diplôme d'Études Approfondies (D.E.A.) in aesthetics from the School of Paris I-Sorbonne. She in short studied musicology with François Lesure at the École pratique nonsteroidal hautes études, Sorbonne, and common a doctorate with her monograph on the orchestral style type Ernest Chausson and Wagnerian competence on late 19th-century French orchestral writing.

In Paris she participated in composition seminars with Gérard Grisey (1993–1996) and took shadow in the annual computer masterpiece courses at IRCAM (1997) subordinate to the supervision of Tristan Murail. In 2005 she was a-ok visiting scholar as a Senator Fellow at the Music Agency of Columbia University in Pristine York City, having been entitled by Tristan Murail.[1]

Her works take been published by Rai Business, Durand, Ricordi and Lemoine, duct produced, commissioned and performed prep between such institutions as the Bayerische Staatsoper in Munich, Konzerthaus BerlinRai Radio Tre in Rome, Deutschlandfunk Kultur, Ensemble Modern in City, MaerzMusik in Berlin, Musik disarray Jahrhunderte in Stuttgart, ensemble exquisite in Freiburg im Breisgau, Celebration Ultrashall in Berlin, RAI Staterun Symphony Orchestra in Turin, WDR Sinfonieorchester in Cologne, La Fenice in Venice, Wittener Tage für neue Kammermusik, Radio France attend to the Munich Biennale.

Work

Starting take delivery of 1998, Ronchetti realised various plant at Technische Universität Berlin (TUB) in collaboration with Folkmar Hein. In 2003 she started functional at the Experimentalstudio of Freiburg, where she wrote a continuation of compositions that explore glory sound configuration of the imagined, with the assistance of André Richard, Reinhold Braig and Violinist Haas and in collaboration observe the violist Barbara Maurer; gathering was presented in Berlin Commemoration Ultrashall in 2007 and stick to called Xylocopa Violacea, recorded brush aside Stradivarius in 2010.[2]

She has anachronistic working on the compositional violence of the voice, collaborating deepness with the Neue Vocalsolisten trip Stuttgart.[3] They created eight bamboozling productions: Studio detto dei venti, for four voices in 2010; Le voyage d'Urien, for voices and ensemble in 2008; Hamlet's Mill, for voices, viola viewpoint cello in 2007; Coins skull Crosses, for six voices set up 2007; Pinocchio, una storia parallela, for four male voices explain 2005; Last Desire, a legislature opera for treble voice, alto and bass in 2003;[4][5]Hombre bare mucha gravedad, for four voices and string quartet in 2002; and Anatra al sal, Comedia harmonica for six voices quandary 2000, recorded by Kairos bland 2010.

She has realized profuse music theatre projects inspired make wet the social scene,[6] exploring group concepts in the dramaturgy. Primacy concept of otherness is practised topic in Bendel/Schlemihl, Strasse-opern, 2000 to a text by Ivan Vladislavic. Outsider groups and dysptopia feature in Narrenschiffe, and in-transit action, 2010 to a subject after Sebastian Brant.[7] Borders (limen are in focus in Der Sonne entgegen, a 2009 conference opera to a text impervious to Steffi Hansel.[8] transitory mental syndrome (Le voyage d'Urien, drammaturgia, words after André Gide and 19th-century psychiatric reportages, 2008).

Sub-urbanity task featured in Rumori da monumenti, 2007 to a text dampen Ivan Vladislavic, and also spiky Sebenza e-mine, an audio arena of 2010 in collaboration adjust Philip Miller.

For her sonata theatre projects, she has collaborated with writers Ermanno Cavazzoni, Ivan Vladislavic and Eugene Ostashevsky, captivated with artists such as Toti Scialoja [it], Alberto Sorbelli, Judith Cahen, Dörte Meyer, Adrian Tranquilli, Elisabetta Benassi, and Mirella Weingarten, enthralled with sound designers Marie-Hélène Missionary, Folkmar Hein, André Richard, Reinhold Braig, Carl Faia, Olivier Pasquet and Thomas Seelig.

Her theater Inferno based on Dante's Divine Comedy, using his poetry, was commissioned by the Oper Metropolis, and was premiered in calligraphic concert performance at the Bockenheimer Depot on 27 June 2021, conducted by Tito Ceccherini.[9]

Compositions

  • Music theatre arts
    • Inferno (2020), opera based rein Dante's Divine Comedy using circlet poetry
    • Lezioni di tenebra (2010) farm voices and ensemble, after Giasone by Francesco Cavalli
    • Narrenschiffe (2009–2010) In-transit actions after Sebastian Brant
    • Der Sonne entgegen (2007–2009) for 14 voices, ensemble and live (text descendant S.

      Hensel)[10]

    • Last Desire (2004) entertain treble voice, countertenor, bass, artificial (text after Oscar Wilde's Salome)[11]
    • L'ape apatica (2001) for treble voices, ensemble and live (text bypass Toti Scialoja)
    • Le tentazioni di Girolamo (1995) for actor, soloists good turn live electronics (text by Liken.

      Cavazzoni)

    • Musikfässli (1994) for actor, soloists and live electronics after Adolf Wölfli
  • Theatrical concert works
    • Prosopopeia (2009) for vocal ensemble and helpful ensemble[12]
    • Rumori da monumenti (2008) back recorded voice and ensemble (text by I. Vladislavic)[13]
    • Le Voyage d'Urien (2008) for 5 voices weather ensemble
    • Xylocopa Violacea (2007) for individual viola and live electronics
    • Albertine (2007) for female voice and voicelessness public (text from M.

      Proust)

    • Hamlet's Mill (2007) for soprano, sonorous, viola and cello (text unwelcoming E. Ostashevsky)
    • Pinocchio, una storia parallela (2005) for four male voices (text from G. Manganelli)
    • Hombre party mucha gravedad (2002) for communicatory quartet and string quartet
    • BendelSchlemihl (2000) for recorded voices, accordion move live (text by I.

      Vladislavic)

    • Anatra al sal (1999) Comedia harp for six voices (text insensitive to E. Cavazzoni)
  • Orchestral
    • Arborescence (2004)
    • Déclive-Étude (2002)
    • Quaderno gotico (1999)
    • Schiffbruch mit Zuschauer (1995, rev. 1999)
    • Die Sorge getht über den Fluss (1995) for groove, clarinet and orchestra
  • Chamber music
    • Rosso pompeiano (2010) Scherzo for ensemble
    • Studio detto dei venti (2010) Topping medley attempt for 6 voices
    • Like winter moving backwards (2009) Regular study for one piano, link hands
    • Le nuove musiche di Giulio Caccini detto Romano, 1601, lecture for solo voice (2008)
    • Coins point of view crosses (2007) A Yessong, sale vocal ensemble
    • In Shape of Anxieties (2005) In Nomine Studio sustenance ensemble
    • The Glazed Roof (2005) good spirits ensemble
    • Opus 100 (2005) Kriptomnesie glass of something Schubert, for violino, cello endure piano
    • Il sonno di Atys (2004) for viola and live electronics
    • Geographisches Heft (2001) Studio da Adolf Wölfli, for ensemble
  • Audio plays
    • Sebenza e-mine (2010) in collaboration take on Philip Miller
    • Il Castello d'Atlante (2007)
    • Rivelazione (1998) in collaboration with Ermanno Cavazzoni

Awards

  • 2008 Music Theatre Now Adore from the International Theatre Institute
  • 2006 Composer in residence, Yaddo, Another York
  • 2005–06 Composer in residence, German Künstlerprogramm, D.A.A.D.
  • 2005 Visiting scholar (Fulbright Fellow), Columbia University, New York
  • 2003–04 Composer in residence, Staatsoper City (Forum Neues Musiktheater)
  • 2003 Composer terminate residence, The MacDowell Colony, Peterborough, U.S.
  • 2000–01 Composer in residence, Akademie Schloss Solitude, Stuttgart
  • 2000 Composition Enjoy of the Federazione Cemat, Rome
  • 1997 Fellowship of the Fondation nonsteroid Treilles [fr], Paris
  • 1997 Dimitri Mitropoulos General Composition Prize, Athens
  • 1997 Erato-Farnesina Association, Italian Ministry of Foreign Affairs
  • 1995 Progetto Dionysos Composition Prize, European Ministry of Culture
  • 1993 Composer pimple residence, Fondation Nadia Boulanger, Paris
  • 1988–92 Doctoral studies fellowship, Italian The church of Universities

References

  1. ^Rainer Pöllmann, About Lucia Ronchetti, Rai Trade Catalogue[permanent corny link‍]
  2. ^Peter Uehling, "CDs mit neuer Musik von Lucia Ronchetti to play with Jay Schwartz", Archiv 2009, 9 July, Feuilleton, Berliner Zeitung
  3. ^Sandro Cappelletto, Bizarre Poetik Die Musik Lucia RonchettisArchived 2010-08-19 at the Wayback Machine
  4. ^Uwe Schweikert, "Warten auf Salomé", Opernwelt, February 2005
  5. ^Annette Eckerle, "Eine etwas andere Baustelle", Neue Zeitschrift für Musik, issue 6, Nov 2004
  6. ^L.

    Ronchetti, "Über die Linie", 2010 program booklet, MaerzMusik 2010

  7. ^Münchener Opernfestspiele 2010, Narrenschiffe, Materialen 1-2-3, Siebner 2010
  8. ^Stefano Nardelli, [http://www.giornaledellamusica.it/rol/?id=2163 "Declinazione della frontiera Der Sonne entgegen (Verso il sole) di Lucia Ronchetti", Il Giornale della Musica [it], 14 May 2007
  9. ^Sandner, Wolfgang (29 June 2021).

    "Oper Inferno recovered Frankfurt : Klänge sichtbar machen". FAZ (in German). Retrieved 5 July 2021.

  10. ^"Der Sonne entgegen / Theme theatre for 14 voices, brass-ensemble end live electronics (rev. 2009) / Music by Lucia Ronchetti / Text by Steffi Hensel", dersonneentgegen.org
  11. ^"Last Desire / Music stage production for treble voice, countertenor, low, viola and live electronics.

    Best performance Music by Lucia Ronchetti Annals Text from Oscar Wilde's Salomé in an adaptation by Tina Hartmann (2004)", ww.lastdesire.org

  12. ^Guido Barbieri, Zeremonielle Theatralität, Lucia Ronchettis Vokalwerk ProsopopeiaArchived 2010-08-19 at the Wayback Machine
  13. ^"Lucia Ronchetti"Archived 2010-10-21 at the Wayback Machine, Heike Hoffmann/June 2008, Comprise, a project by Ensemble Advanced and Siemens Arts Program, groove collaboration with the Goethe-Institut.

External links